As Eve Magazine said, take the Rock Chick edge of Blondie, The femme-fatale style of P.J. Harvey and the pop attitude of Avril Lavigne and the result is an album that storms along and remains compelling listening.

Having had two singles taken off the album with plays on the influential station, BBC Radio 2, and gaining a reputation as a must see live act McKinney’s debut ME ME ME shows that Marc Ash is more than capable of putting the female rock contingent back on the map.

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Gritty loops mixed with huge power chords and vocals the like of which have not been heard since Ian Curtis, Blue paved the way for the likes of Rammstein to run with the baton.
The last studio album by the band, engineered by Utah Saints Producer Guy Hatton, Blue saw the original BFG line up produce what Boston College radio saw as “the album of the decade.”

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Originally only released in Germany, the album brings together all BFG singles and E.P’s on one CD. Now also containing the 12 inch mix of Paris, along with 3 other track, previously only available on a short run CD this is the album for the BFG completist.

Paris and Amelia, recorded at New Order's studio in Manchester quickly became a favorite of the Manchester legends resulting in BFG being invited as special guests on the New Order Tour. The Goth classic led on to the Western Sky EP. the first release to feature vocalist Steve Craig and described by Melody Maker as a “ Hook laden classic".

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Containing “Higher Than Heaven” of which Melody Maker said, “The greatest independent release of the year”. Fathoms swung from powerful guitar driven anthems to the sublime beauty of Mako and Firefly.
Want to know the roots of Interpol? listen to Fathoms. Singer Steve Craig’s emotive lyrics, dovetailing into Mike Simii and Paul B’s soaring guitar work that can soon be heard again on the new McKinney album Me Me Me.

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GREAT SOUND, GREAT VERSION..Deee-lite's "Groove is in the Heart" Lady Miss Kier.

Looby, a band fronted by McKinney singer Marc Ash and backed by the ellite of the Manchester and Nottingham's music scene, have come together to record a version of the 70's classic track "Shame Shame Shame."

If you have seen the news you will know why she has covered the track.

Please show your support , and write to your MP and demand a Judical review of the case, we hope you like the song

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“EVERY DAY”, the second single taken off McKinney’s debut album “ME ME ME”, is proof that, as “Rocksound's" Victoria Durham states “The band write great pop songs”. Already gaining playlist positions throughout the UK. T.V.’s CHANNEL FOUR said “declamatory slice of non-politicised Grrrrl rock”. .........No we have no idea what it means either.
Also includes a “Quicktime” version of the video of SURREAL

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McKINNEY SURREAL (Attica) This is cool, this rules, McKinney make ultra sassy fuzzing fizzing slightly psychedelic grrrl pop rock. They got soul, real big soul, they got smile, real big smile. Locked on Motown drums, Black Rebel Motorcycle Club flavored psychedelia and they know when to take their foot off the pedal and refocus the drama ah yes pounding, edgy, seductive? A damn horny sound. They sound like they’re from California, they’re actually from Manchester, think Bangles with sassy fuzz, think Dandy Warhols locked on forward movement. This is very very cool, this really does rule. Perfect. Go find it this!...THE ORGAN

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The final recordings of BFG with vocalist Steve Craig sees the band in one guise ready to shed its skin and revert to the noise that became BLUE. Probably Craig’s strongest lyrical outing, matched by thunderous drums and layered guitars, it is seen as a fitting final chapter for that incarnation of BFG.

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Recorded in a day, this is the EP that brought BFG to a much wider audience. Containing the song that even now sounds like a whirlwind.
Chiming guitars that echo on in the mind long after the music stops still have the same effect and became a blue print for every guitar band with one foot still in Indie land.

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The first release to feature Steve Craig on vocals, Western Sky, despite the sandpaper texture of the production, saw the first indication of where Mike Simii was taking the band in the late 80’s. Strong vocal elements about first hand experience in Northern Ireland. Aching piano motives on Fall, and bulldozer guitars on Murder served notice that BFG were on the way to becoming indispensable.

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How many times does a brand new band with little airplay sell out its first pressing in a week and within a month find copies the other side of the world changing hands for $30? Lambert's pummeling bass lines created a groove so huge that only skyscraper guitars and foundation shattering vocals could compete. This was the sound that mixed dance with Goth, with Rock, with the added edge of vocals just this side of sanity. Think Rammstein...only 18 years before.

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